In 1957, Noël de Plasse, a researcher doing work for French textile company Lainie`re de Roubaix, made an appealing discovery. He found out that, under high temperature, certain solid dyes could pass right to the gaseous phase without first learning to be a liquid. This physical process is referred to as sublimation, and what de Plasse had discovered was eventually termed Sublimation ink. Nothing much was carried out with dye-sublimation till the late 60s, if it began to be utilized during early computer printers. Today, dye-sublimation printing has developed into a popular and versatile process that is predominantly employed for various types of textile printing, but in addition rivals UV for printing on three-dimensional objects like mugs, smartphone covers, and other specialty items.
A dye-sublimation ink is made up of solid pigment or dye suspended inside a liquid vehicle. A photo is printed onto a transfer paper-also referred to as release paper-as well as the paper is brought into experience of a polyester fabric employing a heat press. Under heat and pressure, the solid dye sublimates and suffuses into the fabric, solidifying to the fibers. The graphic physically becomes portion of the substrate.
For a long time, printing through a transfer medium has been the regular dye-sub method. However, there emerged systems-called direct Sublimation paper or direct disperse-that may print directly onto a fabric without requiring a transfer sheet. It’s tempting to consider, “Aha! Now I can save money on transfer paper,” but it’s not quite as basic as that. Both different types of dye-sub their very own advantages in addition to their disadvantages, and when you’re a new comer to the technology, or wish to select a dye-sub system, its smart to comprehend the huge benefits and limitations of each.
The important good thing about by using a transfer process is image quality. “You end up with a more descriptive image, the sides are a little sharper, text is much more crisp and sharp, and colors will be more vivid,” said Tim Check, Product Manager, Professional Imaging for Epson. Epson’s SureColor F Series dye-sublimation printers comprise the F6200, F7200, and F9200.
With transfer paper, during heat transfer vinyl, the ink doesn’t penetrate far in to the substrate, remaining close to the surface. As opposed, direct disperse penetrates further into dexopky66 fabric, which-much like inkjet printing on plain paper-ensures that fine detail is lost and colours become less vivid.
“For me, the visible difference will definitely be clarity because you’re always getting a cleaner, crisper print when you’re performing a print to paper after which transferring,” said Steven Moreno, founder and principal of L.A.’s MY Prints, an electronic digital print shop which specializes in apparel prototyping and garments for entertainment industry costume houses, as well as flags, banners, as well as other display graphics. Most of MY Prints’ work is dye-sub-based. “For something with fine detail we would always desire to use transfer paper.”
Another benefit of using a transfer process is that you could deal with any kind of surface using a polyester coating: banners, mugs, flip-flops, take your pick. “There are numerous applications, and that’s really the main benefit of a transfer process,” said Check. “It can make it a very versatile solution.”