This short article on video post-production picks up from camera. ‘Post’ production is when we pull all the elements together right into a finished video product.
But post-production work, also known as ‘post’ or ‘posting’, usually involves more that simply video. It’s often considered the full technique of bringing together video, stills, text overlays, 3D and graphics, audio dialog, audio sound effects, music.… literally each of the elements. And looking to assemble it into a single cohesive product. Yes, this is the best time to interrupt the talent, and the coffee.
Unlike the pre-digital days, today’s post is normally done on stock computers, within a fairly normal office setting. Heck, in a pinch it could be done in your laptop on your commuter train.
A much better setup, though, would put you in a reasonably sized room by using a generous desk and one or two large monitors. Any recent-vintage Mac or Windows machine would work all right for the majority of projects, and a lot of today’s software operates on both platforms. (Here’s an effective article on Linux editing.)
The things that slightly differentiate a video workstation will be making sure you had enough hard disk space (never enough!), plus a generous volume of memory. Additionally, you will want to have a great audio playback system, as sound is a crucial part in the mix. Fast video cards are preferred, but the majority stock video will work.
A post studio space will not be meant for doing recording, but guess what? On many projects you will likely have audio elements which need creating. So a enough sq . ft . to put together a mic or two is nice. So is sufficient room for comfy chairs for your personal clients or creative directors. They will likely all occasionally pop in.
A lot of creative and grunt work could get done out on location, before even returning to your post studio. Adobe’s Prelude (all Adobe Creative Cloud prices vary based on plan) is ideal for this niche, offering logging and rough-cut edit sessions. All Prelude work can later be opened in Premier.
Adobe Prelude can be a much simplified cuts-only editor and logger, ideal for on location
For field work, I needed the smallest and cheapest notebook that might run Prelude. I may have realized it in the Nextbook Flexx 11-inch tablet/keyboard combo running Windows 8.1 ( about $200US). Includes 11.6-inch touchscreen, USB, micro SD reader, micro HDMI, and Atom 1.8GHz Quad-Core.
Post-production uses a variety of software packages that do many different things. While the editing application will usually become the final destination, work may also be carried out in other programs similar to a compositor for elaborate graphics, color grading software, 3D, and an array of audio and music software. Large studios have specialists doing work in all these categories. But in small shops, a lot of us do all of it, which is daunting, but rewarding (okay, sometimes just daunting).
In relation to editing applications, there’s no shortage of options (See Wikipedia’s extensive chart). Generally, the big two are Adobe’s Premiere and Apple’s Final Cut Pro X. ($299US, Mac only), was the business king, before the discharge of the ‘X’ edition in 2011, which sent many pro users packing.
Adobe Premiere Pro has taken advantage of the FCPX exodus, as well as from numerous years of steady. Premiere has gained a loyal professional following, which is utilized on major film/TV productions. It runs on Mac and Windows, and obviously integrates well with Adobe’s other Creative Cloud tools.
Other excellent editors, with unique strengths include Sony’s Vegas, known for its strong audio editing tools. DaVinci Resolve from Black Magic Design ($995US) counts its color grading toolset as the strength. A free version is also available that is nearly as powerful. Finally, Avid’s Media Composer ($29.99US/month) continues to be heavily found in Hollywood and television production.
Editing software can do some graphic effects, titling and light-weight compositing. But when you need more, it’s time for the compositor. Far and away the most common compositor is Adobe’s After Effects (AE), which is capable of doing almost endless effect creations.
Right out of your gate, AE comes along with great tools and a huge selection of plugins which allow staggering capabilities. It might control the design of imported video, along with the sound. It allows video warping, rotoscoping, and even animating in 3D/2.5D space.
Require more effects or something that is unique? Third-party plugin developers have developed tools that could create insanely great effects. A classic favorite of mine are the types from Red Giant, who helps to make the recognized ‘Trapcode’, ‘Shooter’ and ‘Magic Bullet’ suites of effects, amongst others. Effects that only blow clients away.
Other specialized effect plugins are for correcting the recording footage, like Imagenomic’s Video Suite tools ($99US/annually) that enables the softening of facial wrinkles. This is accomplished to still images, but without this type of plugin, it is a hard thing to do in video.
BlackMagic Design’s Fusion is yet another great compositing solution. Listed at $995US for the full version, additionally they present an entry level version that may be for free – a great way to start learning Fusion’s powerful node-based compositing system!
While 2D compositor special-effect capabilities keep improving annually, you will still find things that ought to be carried out 3d, when budgets allow.
Blender3D now offers Best post production studios in India, camera tracking and also other abilities
Blockbuster film effects are usually carried out programs like Autodesk’s Maya ($1470US subscription a year), Side Effect’s Houdini (price varies) or 3ds Max ($1470/annual). Although the 3D marketplace is vast with lots of options. Make sure you also browse the open source gorilla from the 3D market, Blender3D.
Today, most competent audio programs allow you to import video to use as a backdrop reference for timing your audio and music work.
For those who have Adobe’s Creative Cloud suite, then you currently have their Audition audio editing software program (though the majority of it is likely you haven’t installed it yet!). Audition can be a kick-arse program that supports imported video. However its built-in workspace ‘Edit audio to video’ didn’t often arrange the screen adequately. Therefore I opened the recording window (WINDOW>video), dragged its tab into a current panel, and then juggled a lttle bit. It’s still evolving.
Got the chops to make music for your visual masterpiece? Look into SONAR from Cakewalk ($99-499US), an “advanced music production environment” that supports touch screens, and possesses tools that include their new ‘Vocal Sync’ toolset that is utilized to align vocal tracks and correct the timing of audio dialog replacement.
Not a musician, the most popular feature is being able to hum/whistle/sing the notes into SONAR, which then converts it into musical instrument sounds!
It wasn’t long ago that people made the move seo service provider in kolkata. It put strains on our computers and networks initially, until our systems caught up. Now 4K (aka ‘Ultra HD’ in consumer world) is making its way in. For video post this implies getting fast computers which have decent quantities of ram, a good amount of harddrive space, and dexppky05 your networks are around snuff. Lets begin with discussing screens.
Few situations are as widely priced as computer monitors. They go from dirt cheap, to the thousands. If you have the bucks for that top quality, wonderful. But realize that even most moderately priced models today have excellent color and specs. We considered two monitors, each with something unique, and all by having an eye to keeping it affordable.
The Samsung S27D590CS (street price $330US) is really a sexy option with Samsung’s eye-popping curved screen. This really is a very cost-effective 27-inch unit. Granted, at 1920×1080 it’s resolution is basic HD, but the image and experience is killer. A curved screen isn’t for anyone, while it is mild so ought to be very easy to adjust to.